Who Moved My Cheese? is a short, light-hearted parable about change, by best-selling author. El resto es resultado de la inteligencia emocional, lo que incluye factores como la capacidad de motivarse, la persistencia, control de impulsos, regulación del humor, empatía y esperanza. Para empezar, salga de la conformidad y de la monotonía.Įl autor Daniel Goleman, Inteligencia Emocional explica que el coeficiente intelectual contribuye solo al 20% de tu éxito en la vida. Con la tecnología actual, tenemos acceso a contenidos biográficos y materiales producidos por esas personas. Los seres humanos pueden ser enseñados a reaccionar de diferentes formas, como enfrentar desafíos y pensar de otra manera.įlávio Augusto en el libro Geração de Valor dice que “solo se puede aprender a tener una mentalidad ganadora con los ganadores”. Mientras los mindsets producen visiones de mundo definitivas, las personas pueden cambiar al aprender nuevas habilidades. Dweck, debate cómo nuestras creencias dan forma a nuestro comportamiento y nuestro crecimiento. Without the tendrils of affection or the roots of a past, the subject is left sufficiently destabilized to be tractable to the pressures, dislocations, and anxieties of global capital.La importancia de nuestra relación con DiosĮn el libro Mindset la psicóloga Carol S. The zombie apocalypse thus explains the modern subject to herself, through a mythic depiction of the internal disposition that capital demands from its increasingly deracinated workers. As with the worker-mice of WMMC?, the ZAH must forge a new identity based on flux rather than stability.
I argue that this killing is better seen as a double-murder, directed both against the ties of affection that thwart capital’s circulation, as well as against the bourgeois subject’s past, which capitalism constantly seeks to obliterate from memory. Like the “little people” of WMMC?, the zombie apocalypse hero (ZAH, hereafter) must engage in brutal sacrifices in order to survive: the ZAH must kill their recently-zombified loved-one before (it) can kill or zombify them. What explains the rise of this once-niche horror genre to cultural prominence? Reading The Walking Dead in conjunction with the employee self-help manual Who Moved My Cheese? (WMMC?, hereafter), I argue that the zombie apocalypse genre employs an updated version of the becoming-subject under capitalism. The zombie apocalypse is now such common currency that the American Center for Disease Control has enlisted it, tongue-in-cheek, in its campaigns to raise preparedness for pandemics (presumably of the non-zombie variety).
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